Current Art Exhibition
This exhibition is a rare opportunity to see a concise selection of the rigorous and contrasting abstractions by these two prominent visual artists who live and work in Guelph.
About the Artists:
Ron Shuebrook is a Canadian artist, educator, and writer who has been exhibiting his work regionally, nationally, and internationally since 1965. He has been represented for many decades by the Olga Korper Gallery in Toronto as well as, more recently, by Renann Isaacs in Guelph. His paintings and drawings have been collected by more than sixty public institutions and corporations as well as by numerous individuals. Shuebrook is a Professor Emeritus and former President of OCAD University, as well as former Chair of the Dept. of Fine Art and founding Coordinator of the MFA Program in Studio Art, University of Guelph.
Peter Johnston is a sculptor who has worked in a wide range of materials and is perhaps best known locally for his commissioned copper wall in the entrance of the River Run Centre in Guelph. He has taught at Queen’s University and the University of Guelph and was represented for many years by Klonaridis Inc. in Toronto. Currently with bcontemporary in Hamilton, he has works in many public and private collections, including commissions for Minto Place, Bell Canada and Sony.
About the artist:
Barbara (Eva) Dametto is a visual artist, dancer, actor/playwright, expressive arts practitioner and educator. She received her formal education at the University of Waterloo (B.A. dance, kinesiology, theatre), York University (B. Ed. fine arts education), and Fleming College (expressive arts). Over the years she has worked in Toronto, Port Hope, Peterborough and Bancroft as a dancer, choreographer, painter, actor, clown, teacher and yoga/meditation instructor. What inspires and motivates Barbara to create visual art is her desire to allow spirit to move through her without judging, directing or predetermining the outcome. Her bold and colorful images flow onto the canvas with the use of acrylic paint and mixed media- mostly found in nature. Her work can be described as intuitive expressions of personal impressions, experiences and dreams. Her paintings are not a destination but rather a journey inward. Barbara’s work illuminates her belief that when one is in alignment with what excites them most- creativity flows effortlessly and endlessly.
Barbara’s work has recently been exhibited at the Art Gallery of Bancroft (Landscapes of the Spirit, September 2015) where she co exhibited with two other Canadian artists. She is also the recipient of several awards of honourable mention for two dimensional designs in recent juried shows at the Art Gallery of Bancroft.
In late 2014 and early 2015 I created a series of paintings based on freely interpreted images relating to the history of law for an exhibit at the Waterloo County Courthouse Law Library. Several of these paintings will be on display during the Silence exhibit.For the past year I’ve been preoccupied with the subtle
In the closing week a retrospective of older works in a variety of styles and media will be on display.
Lewis Melville is a Guelph, Ontario, musician composer, producer, and visual artist. A former botanist specializing in plant anatomy, he spent much of his scientific career imaging and illustrating various aspects of the structure and ultrastructure of plants. His artwork has appeared in books, scientific publications, and on the covers of numerous music albums. In 2015 he created 30 paintings with subjects relating to the history of law for a solo exhibit at the Waterloo County Courthouse. His role as a producer and musician has taken him around the world, and his work in Mali, West Africa is featured in the documentary film “The Road to Balaya” by award winning Canadian film producer Bay Weyman. Lewis currently performs with Tannis Slimmon, the Banjo Mechanics, the Woodchoppers Association, the Hoofbeats, the Vertical Squirrels, and as a solo artist. He has appeared on hundreds of albums (Skydiggers, Rheostatics, Barenaked Ladies, Cowboy Junkies, etc.) and has four albums of his own. Lewis perceives sound as a visual landscape of colour and light in motion.
The unique style and impact of Aboriginal fine artist Donald Chrétien springs from his combined passion for colour and woodland-style expression. His ongoing exploration of his heritage has him concentrating on distinct features of Ojibwe clans acrylic on canvas.His works are exhibited in some of the most interesting corners of North America. His Vancouver Olympics installation piece, titled: Ngashi Nijii Bineshiinh or Mother, Friend, Small Bird, is on permanent display in Vancouver’s Pacific Coliseum and stands 12 feet high by 80 feet long.
Over his 30-year career, Donald has demonstrated an ongoing commitment to giving back to his community. For the Union of Ontario Indians, he produced artwork for a package of educational resources dealing with Indian Residential Schools. “Little Butterfly Girl”, tells the story of a child who was taken from her First Nation and brought to a Residential School. The illustrations depict the harsh reality of losing one’s self and spirituality to abuse and forced religion.
Donald’s art can also be seen at Owen Sound’s Grey Roots Museum, where it has been on exhibit since July 2010. The Good People: Know Our Stories, Know Us relates the history of the Anishinaabe and gives a greater understanding of First Nations spiritual beliefs. This collaboration led to Chrétien providing the illustrations for Basil Johnston’s next book, “Walking in Balance” — ten traditional Anishinaabe stories told in both Anishinaabe and English.
Born in the Netherlands, Pieter immigrated to Canada as a young child and came to love Northern Ontario through regular camping trips with his family. Almost immediately he began to express his love of water, sky and flatland through drawing and painting. Pieter’s main artistic work expresses his love and respect for the north with colourful abstracts.
“Over the past several years, most of my work has been inspired by the landscape of Northern Ontario. They are not literal depictions but emotional translations. I see the broad washes and saturated colours as the life and breath of day, describing the spirit of a place under the constant change of light. Effects are produced by using a simple atomizer with which I spray inks, watercolours and acrylics onto paper or canvas. Starting with wet on wet, I move to plain water to cause intentional and accidental runs, giving a layered depth to the background. This is overlaid with the sharp edges of cut shapes which represent basic forms of various moments observed or felt.” – Pieter Zantinge
Pieter studied at the Doon School of Fine Arts (under Tom Cayley), the Ontario College of Art and Design, and the University of Guelph. His work has been shown in numerous solo and group exhibitions, and sold to collectors in the Netherlands, North America, Brazil and Scotland.