Silence is dedicated to presenting sounds and musical practices that are diverse, challenging, sustainable and accessible through concerts, workshops and improvisation sessions. Silence serves as an incubator for practitioners and listeners alike.
Silence is unbiased in regard to genre, culture, class, and tradition; we foster risk-taking, innovation and experimentation in all forms of music and sound, as well as other artistic expressions presented in the space.
Maryem Tollar is a renowned Egyptian-Canadian vocalist, known for her world music performances as well as original compositions. Her voice has been heard on the theme of CBC’s Little Mosque on the Prairie and A.R. Rahman’s Bollywood hit, Mayya Mayya. Tollar was the featured vocalist in Tafelmusik’s 2016 production of “Tales of Two Cities: The Leipzig-Damascus Coffee Houses” and more recently she performed the world premiere of Christos Hatzis’ piece “Syn-Phonia – Migration Patterns” with The Winnipeg Symphony Orchestra and Inuit throat singer Tiffany Ayalik.
Brenna MacCrimmon is a Toronto-based interpreter of Turkish and Balkan songs – an adventure that began with a trip to a local public library’s vinyl collection in 1983. She has studied and performed with many notable masters of the traditions in both Turkey and the USA. She works in a diverse range of musical projects, travels frequently to perform and teach and thinks you can never stop learning.
Sophia Grigoriadis, is a musician and teacher. Over the past 30 years her study of Greek, Balkan and Middle Eastern singing and percussion has led her to compose, perform and tour with many Toronto world and fusion ensembles.
Her love of teaching and sharing her musical passion extends to all ages: as Church Choir Director of All Saints Greek Orthodox Church, as Music teacher from Preschool to Grade 8 at Metamorphosis Greek Orthodox School, and to young children through her Clapping Land music studio, where her compilation world music CD Sound Adventures — Global Music for Children garnered the Parent’s Choice Foundation Silver Award.
Since making the switch from classical to folkloric singing, Jayne Brown has been learning, performing, travelling and recording with several ensembles, including Latin American ensembles, Nazka and Ilédé, Macedonian band Staro Selo, and Mediterranean mash-up bands Maza Mezé and the Maryem Tollar ensemble. For the past couple decades, Jayne has been concentrating her efforts on Greek folkloric song, studying in both Greece and Toronto. Jayne balances her time between music and her psychotherapy practice.
Visit turkwaz.ca for more information.
Nauroz Tanya is a Kurdish-Canadian composer who began music lessons at the age of six. His father was one of the pioneers in the theater and early television revolution, and through him, Nauroz developed a great interest in music and art.
After completing a degree in music, Nauroz composed music for chamber ensembles, performed in piano solos, orchestras, and short and full-length movies showcased in Europe, Australia, US, and Canada. He wrote music for media and television in France, Germany, and Sweden where he lived for several years and attended the Academy of Music and Drama in Gothenburg. He worked as an assistant administrator for the Guelph Symphony and administrator for the Guelph Youth Symphony Orchestra. He studied piano with Dr Joseph Ferretti, and composition with Dr. Glenn Buhr. He currently studies with Linda Catlin Smith.
Along with his medical studies, Nauroz continues composing for various orchestras around the world, most recently focusing on the issues of immigration and diaspora.
Stefan Berg: Prints
May 26 – June 29
Opening Reception: June 3, 7-9 pm
“Recording”, 2016, 14×14 inches, linocut, $460 framed
Stefan Berg works in the form of the wordless novel using lino-block prints to create sequential single-image narratives. His work has been exhibited in Canada and the United States, and has received positive reviews from The Toronto Star and The Globe and Mail. “Architecture Of Music” is Berg’s second wordless novel, a series of 50 images in response to Glenn Gould and the notion of solitude. His previous work, “Buddy Bolden’s Last Parade” was published in 2008 by the Porcupine’s Quill, a series of 70 images depicting the culture of New Orleans parade music and the legend of Buddy Bolden.